SuperPlate by Soundtoys, a plate reverb plug-in that emulates a number of reverb units such as EMT 140. Now 73% off at the lowest price ever for $39.

  

SuperPlate by Soundtoys, a plate reverb plug-in that emulates a number of reverb units such as EMT 140. Now  73% off at the lowest price ever for $39.

SuperPlate brings the unique sonic characteristics of five classic electromechanical plate reverbs to your studio without the huge investment and heavy weight of the originals. Its advanced algorithms capture an unparalleled level of realism and versatility, producing luscious, spacious effects.

At the core of SuperPlate are meticulous models of EMT 140, EMT 240, Audicon, Stocktronics RX4000, and EcoPlate III reverb units. Three different flavors of analog coloration (tube, solid-state, clean) can be combined with any of SuperPlate's styles. Its wide range of modern digital features includes infinite decay time, built-in pre-delay, extensive modulation controls, a full-featured EQ for detailed tonal shaping, and a unique decay ducking option that adjusts decay time to reduce overlap and build-up.

SuperPlate accurately reproduces the tonal characteristics and distinctive sonic signature of each of the five plate styles. It packs a total of 1450 pounds (659 kg) and 330 cubic feet (9.4 m3) of plate reverb evolution into one plug-in.

EcoPlate III

Based on the EcoPlate III (circa 1982). The EcoPlate III is the third and smallest version of the EcoPlate series. All three versions of the EcoPlate were designed by Jim Cunningham. The EcoPlate series uses a stainless steel alloy to create reverberation, and all three versions have a very bright and spacious sound.

Goldfoil 240

Based on the EMT 240 (1970), the successor to the EMT 140. The EMT 240 isn't technically a plate at all, but was designed to create a more compact and portable reverb. It used thin 24k gold foil instead of a steel plate, which gave it a distinctive dark and tight sound.

Classic 140

Based on the most famous and first commercially successful plate reverb, the EMT 140 (1957). It is made from cold-rolled steel sheets suspended in a metal frame, and legend has it that the steel came from a particular ore mine in Wales. The EMT 140 has been a studio standard for many years, and is the one most people refer to when talking about plate reverbs.

Audicon

Based on Audicon's "The Plate" (circa 1971), also known as the "Lawson Plate". It was designed by Gene Lawson (Lawson Microphones) in Nashville as a more economical plate reverb for those who can't afford the original EMT 140. It was manufactured by console manufacturer Auditronics in Memphis, Tennessee.

Stocktronics

It's based on the Stocktronics RX4000 (1978). The RX4000 is the only Swedish plate we know of, and uses a steel alloy plate with "low internal crystal damping characteristics" [1], which gives it a very characteristic extended high frequency response. In other words, this plate is awesome!

Choosing a Preamp

All plate reverbs use a preamp that drives a "voice coil" that turns electrical sound waves into physical vibrations in the plate reverb device. Two different preamp models are included: SuperPlate, tube and solid-state, as well as a clean mode, each of which can be used in conjunction with a style of SuperPlate.

Tube mode is modeled after the original EMT V54 preamp used on early EMT 140 plates and can be used to add a little (or a lot) of harmonic spice to your sound before it hits the reverb.

Solid-State mode is modeled after the EMT 162 preamp used on later versions of the EMT 140. This model has a built-in compressor to help control and suppress transients on their way into the reverb.

SuperPlate's Clean mode strips out all preamp modeling to preserve the pure sound of the various plate models without adding additional harmonic distortion or dynamics.

Let It Breathe

SuperPlate's unique Auto-Decay feature shortens the decay time to the desired "target" setting if the input signal exceeds an adjustable threshold. This feature is crucial to keeping your sound clear and preventing punchy transients from being overwhelmed by excess reverb tail. Combined with the recovery speed control, you can let the reverb breathe at the pace of the music.

Tame the tail

SuperPlate's built-in 4-band EQ makes it easy to tailor your reverb to fit your mix. The low-cut filter is essential to prevent the build-up of excess low-frequency energy, while the high-cut filter helps the reverb blend naturally into the original sound. The two parametric bands are very flexible and can be used to tame mid-range resonance or add high-frequency sparkle.

Features

5 Analog Plate Styles

3 Preamp Options

Infinite Decay

Built-in Pre-Delay

Modulation Control

Decay Ducking Option

Full-Featured EQ

Little Plate is included with Super Plate purchase

Until 5th August. Other products are also on sale.

Super Plate